Lately I've been thinking about how my work consists of sketching on location and experiencing places through sketching and through various actions - like walking or swimming - and then my oil paintings come from a combination of the sketches and the experiences. When I paint, I think about how well I can get to know a place through these actions – how it feels, the energy of the place, the sounds, sights, smells, solidity or airiness, wind, rain, cold and heat - and the sketches contribute to getting to know the shapes and lines that go with it. So, the point is to connect with a place briefly, so that what I paint comes out abstracted or flattened or with unlikely colors or patterns, but the feeling of the place is there.
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